We often have siblings attending our Young Mannheim Symphonists programs – and the YMS 2025 NSW State Academy is no exception!
One of three week-long programs offered by the Australian Romantic & Classical Orchestra to give young musicians aged 13-23 the chance to discover the magic of Historically Informed Performance (HIP), the YMS NSW State Academy is held this year in Sydney. It attracts high school and tertiary musicians from all over the state and even (this year) South Australia, Queensland, Victoria and the ACT.
Coming from Bellingen, NSW, are sister and brother Xanthe and Flynn Bartholomaeus. It’s Xanthe’s second YMS Academy, and she liked the first so much that her younger brother Flynn was inspired to audition for this year.
We caught up with both of them as they were preparing to travel to Sydney this July.
XANTHE BARTHOLOMAEUS, 16 | Viola
Xanthe had wanted to play violin since she was four years old – and got her wish at age 10. She didn’t even know about the viola, but once she heard it she was hooked.
“I thought it was an amazing instrument,” smiles Xanthe. “But then I had an internal tussle – do I give up the violin and all those leading, show-off aspects?”
When she was 15 the viola won out, and soon she was successfully auditioning for YMS.
“My friend Lily told me she was doing this really cool camp and I should audition,” Xanthe remembers. Auditions were just one month away, so she knuckled down, got to work – and was accepted into YMS 2024 NSW State Academy last October.
Xanthe Bartholomaeus at YMS 2024 NSW State Academy.
Photo: Robert Catto
“It was so much fun, such a great experience,” says the violist. “I’ve done a lot of camps, and YMS has such a strong community aspect. Everyone is so nice. And the programming is very balanced between talking, playing and learning.”
It’s also the only truly national youth orchestra for HIP – Historically Informed Performance. Xanthe had played on gut strings before, but this was total immersion.
“I think it’s so cool to find out all the old stuff about the instruments, how they’ve changed.,” she says. “I love the different sounds and tone qualities. Playing with a classical-era bow at YMS gave me a much better idea of how phrasing worked back then.”
Xanthe still plays the violin – “it’s like talking with an old friend” – sings in local choirs and composes, including duets for herself and her brother Flynn.
Like Flynn, she participates in local jazz improvisation groups and festivals.
She also loves tennis, bodyboarding, reading books and drama – another tie-in with YMS, where musicians learn the historical technique of embodying affect or emotion through playing.
“All the drama aspect of HIP is really cool at YMS!” Xanthe says. “Approaching it that way is very fresh. To see (co-director) Rachael Beesley so mindfully putting the drama into the storytelling of the music is very inspiring.”
Flynn Bartholomaeus. Courtesy photo.