The Australian Romantic & Classical Orchestra is extremely grateful to the generous individuals, families and foundations who make significant contributions to the orchestra's performance and education activities
Annual donor acknowledgements
We are thrilled to acknowledge our annual donors who are ensuring the future of the Australian Romantic & Classical Orchestra.
Young Mannheim Symphonists Sponsor
Metal Manufacturers Limited
The Co-Artistic Directors’ Patrons
Robert Albert † & Elizabeth Albert
Denbigh Foundation
Susie Dickson * & the late Martin Dickson †
Humanity Foundation & Talya Masel
Hedley McGregor †
Paul & Sandra Salteri
Rosemary Szente
Robert Salzer Foundation
Anonymous
Principal Flute Chair Patrons
Ian & Pam McGaw
Instrument Donors
Jan Stanwell - Romantic Flute
Jason Catlett - Early Modern Cello Bow
Bronwyn Thurling - Natural Horn
Anonymous - Baroque & Classical Oboes & Classical Clarinets
$1,000 - $4,999
Rachael Beesley
Michael Chesterman
Suellen Enestrom
Sharon Green
The Hon Don Harwin
Michael & Dimity Riley *
Felicite Ross
Leona & Bruce Sterling
Roger & Karen Stott
Kay Vernon *
Alpha & Libby Yap
$500 - $999
Deborah Brook
Frances Carlile
Tim Dehn
Craig Hassed
Richard Kefford
Roderick & Elizabeth King
Darrin McCann & Cameron Patrick
Rosemary Purdie
Margaret Wait Ferguson *
* Denotes Richard Gill Memorial Fund Annual Donors. We would like to acknowledge our annual donors to the Richard Gill Memorial Fund whose support allows us to continue Richard's incredible legacy.
Donations of $500 or more are acknowledged on this page and in our concert programs for the 12 months following the financial year of the donation.
We would also like to thank our donors who contribute up to $500 annually. Every gift has an impact and allows us to continue sharing our music through performance, education and community engagement.
BequestS
Roger & Karen Stott
Anonymous
Founding Donor Acknowledgements
We would like to acknowledge the Founding Donors of the Australian Romantic & Classical Orchestra who donated $500 or more in the orchestra’s first five years.